Karen Faye, Michael’s makeup artist about the accident :
“I thought he was surely dead! Michael was headlining two benefit concerts for the International Red Cross, Nelson Mandela’s Children’s Fund, and UNESCO. MICHAEL JACKSON AND FRIENDS.
The roster of performers and their entourage flew from Seoul, Korea where the first concert was held, to Munich on a chartered plane.
It was such a wonderful flight because we were able to spend some time and get to know everyone. There were performers from all over the world.
We arrived at the Munich Olympic Stadium in the afternoon on June 27, 1999 to prepare for Michael’s evening appearance.
Michael introduced Andrea Bocelli in the late afternoon.
The sun was setting. The darkness changed the entire feeling of the arena. It was a hot summer evening. The crowd had been enjoying performances by other artists all day: Luther Vandross, The Kelly Brothers, Ringo Starr… but it seemed the audience was waiting for Michael. The excitement was building.
Magically, the stage was being transformed with emerging walls of lights, screens and equipment that had been created for Michael’s show, that were hidden behind the other performances.
Michael Jackson, Michael Bush and myself were using the last minutes to take care some details in the dressing room, just stage right. A long check list: Microphones, wires, wardrobe changes, towels, song list, ice, Gatorade, fans, grease paints, powder. Michael did some stretches to warm up, as the lights lowered in the house.
I could feel the energy of anticipation the crowd directed towards us. Any hint of Michael’s appearance created excited chaos in the crowd. He would peek out at the audience from behind the curtains. The band came up the back stairs. Michael met them for the traditional prayer joining their hands.
Everything was going perfectly…. the medley…Beat It…Black or White with Slash…
Billie Jean.
The local performers for Earth Song started filing on stage. Earth Song began… then the bridge appeared, just as it had done in Korea. The children and adults slowly entered and filled the stage. The song builds…. Michael flies up the bridge and gyrates and pounds his feet, twirls as the bridge lifts away from its braces. Smoke, explosions, bombard our eyes and ears…the bridge continues higher and higher, but unlike rehearsals, and the last show…. it didn’t pause at its pinnacle… INSTEAD it came careening down gaining speed with Michael tightly grasping the railings… still singing. I started screaming, but I could not even hear my own voice over the pyro, music, and the audience. I started running out from behind the stage in horror as the bridge quickly disappeared below the front of the stage, slamming down on the concrete floor. Security grabbed and stopped me, thinking I was going to ruin the performance.
Backstage, there was crying and screaming, only the crew and performers knew there was something desperately wrong. From our vantage point we had lost sight of Michael, as the bridge had fallen below the front of the stage. My heart stopped beating, while in the strong arms of a perplexed security guard. Even though the show continued for everyone else, time stood still for me as I could not imagine how Michael could have survived such a fall.
But slowly, and after what seemed like an eternity, as the music and applause continued, I saw one arm reach for the floor of the stage…then a long lean leg, another arm, another leg…he was up, center stage… finishing the end of Earth Song! My mouth dropped open in relieved amazement .
Looking dazed, he made his way to our side of the stage. “Michael, sit down….”
“NO!” He demanded.
“Security… please get him to the hospital!” I was begging.
“NO!” He grabbed the microphone and ran out to finish performing “You Are Not Alone”.
I could not believe what I was witnessing. He finished the song, took his final bow, and returned once again to his stage dressing room and then… collapsed. Security whisked him off to a hospital in Munich.
Band members, dancers, Slash and crewmembers all shocked and amazed at what we had witnessed wrapped up the show with prayers in our hearts.
Once back in the hotel… I started making the phone calls to find out how he was. I got the reports that nothing was broken, but he was badly bruised, and his back was very badly strained. It had been a miracle. Being the performer he was, he knew how to land.
The next day we were to leave for Paris for a photo shoot. This had been postponed until
He was better. I asked him…why did you continue? I cannot believe you were able to do that.
“You know Turkle, the only thing that I heard in my head, was my father’s voice saying to me, MICHEAL, DON’T DISAPPOINT THE AUDIENCE!
Here is some great videos and links on the entertainment industry ;this is all from a facebook friend of a friend but I can not stress enough how much control the Powers that be have behind the scenes in the music industry..and if they don’t get their way bad things happen too alot of the ones they say are not following their Negative code…….I for one know that Love cancels out all fear…..The NWO doesn’t like if when we think for ourselves or are a possitive role model as Michael Jackson is in many peoples lifes….Why do you think that people for possitive change have been Murder/killed …….MLK…JOHN LENNON…..and many known and unknown have been killed or murder it’s up too us to stand up and say No more….
Lady Gaga, Beyonce, Rihanna, Mass Media mind control:
Starsuckers is a feature documentary about the celebrity obsessed media, that uncovers the real reasons behind our addiction to fame and blows the lid on the corporations and individuals who profit from it.
Beneath the Surface is the sequel to Full Disclosure, and continues down its path. Can you identify and understand the importance of Hollywood retellings? Often, the question comes up “Ok, so they’re telling the same story, what’s that mean?”. To dumb it dumb and stop presuming that the viewer understood the dynamic that was taking place here. The first 15 minutes or so of Beneath the Surface to finally answering the question. A brief coarse on how these retellings work, how they are written, what they are based on, and why it’s even important to the examine overlap between movies and mythology.
According to Las Vegas Disc Jockey John Dote’, the death of Michael Jackson was a “hoax” and he has the evidence to share with the world. While Elvis’ death was also publisized as a “Hoax” and is living somewhere in New Zealand or possibly Nova Scocia, Dote’, Jackson’s former record promoter for the album “Bad” has dug deep into the death of the legendary entertainer himself. And this is what he found. ♫ Michael Jackson Death Hoax Investigators ♫ . You will find this to be the most powerful and fascinating story of the “King Of Pop”. It will literally leave the hairs on your body standing. Dote’ was tipped off by an Anonymous emailer. Dote’ is best known as the drummer from the t.v. hit series “Hawaii Five-0” and the theme from the motion picture “Rocky“.
You will learn that Michael Jackson is not dead, he’s alive. And he will come back. Soon he will be in the spot light again. He will then wake up humanity with his message: the world is about to be controlled by a secret society or worse, the Antichrist.
Lady Gaga’s 9-minute video featuring Beyoncé is steeped in weirdness and shock value. Behind the strange aesthetic, however, lies a deeper meaning, another level of interpretation. The video refers to mind control and, more specifically, Monarch Programming, a covert technique profusely used in the entertainment industry. We’ll look at the occult meaning of the video “Telephone”.
Just when I thought I’d written everything I had to write about Lady Gaga, Telephone comes out. An inevitable deluge of e-mails instantly followed, demanding an article about it. So I watched the video and, gosh darnit, the people who wrote those e-mails were right. There are, yet again, a whole bunch of Illuminati/mind control symbols in Lady Gaga’s latest video. I can’t say I was surprised, however, knowing that Jonas Akerlund co-wrote and directed the video. In the article Lady Gaga, the Illuminati puppetPaparazzi and its references to mind-control programming. Telephone acts as a sequel to Paparazzi, where Gaga still plays the role of a mind-controlled drone who kills people. This concept is never openly discussed by the artists when they are asked to explain their videos because it is not meant to be understood for the masses. The hidden meaning of the video actually depicts the elite’s contempt for the general population, hence the scene of ritual murder of average Americans in a diner by mind-controlled slaves. Don’t know what the hell I’m talking about? Keep reading. (which I suggest you read before this one), I dissected the Akerlund-directed video
The Hidden Meaning of the Song
When I first heard Telephone on the radio, I thought the song was about Lady Gaga receiving phone calls from an annoying dude while she’s out in a club. I could already picture a video of Gaga on a dance floor not answering her cellphone. I’ve imagined this video because I was interpreting the song at its face value and going by its literal meaning, like most people do. Akerlund’s video has however infused a second, deeper meaning to the song, giving it an entirely new dimension. In an interview with E! Online, Gaga herself explained this fact:
“There was this really amazing quality in ‘Paparazzi,’ where it kind of had this pure pop music quality but at the same time it was a commentary on fame culture. In its own way, even at certain points working with JonasÅkerlund, the director of both videos really achieved this high art quality in the way that it was shot. I wanted to do the same thing with this video—take a decidedly pop song, which on the surface has a quite shallow meaning, and turn it into something deeper.” – Source
What is never stated, however, is that this “deeper meaning” found in Gaga’s video relates to mind control, a covert practice used by the military, the CIA, religious cults and the Illuminati elite. It is used to program human beings to become mental slaves and to execute specific tasks. In Paparazzi, Gaga plays the role of a mind-controlled slave who was “programmed” to poison and kill her boyfriend. Telephone is a continuation of this story, where Gaga goes to jail for her crime.
In the video, the “telephone” is a metaphor for Gaga’s brain and the fact that she is not answering that phone (her brain) means that she has “dissociated” from reality. Dissociation is the ultimate goal of Monarch mind control. It is induced by traumatizing events, such as electroshock therapy or torture, to force the victim to dissociate from reality. This enables the handlers to create in the victim an alter personality that can be programmed to perform various tasks, such as carrying out an assassination.
“Trauma-based mind control programming can be defined as systematic torture that blocks the victim’s capacity for conscious processing (through pain, terror, drugs, illusion, sensory deprivation, sensory over-stimulation, oxygen deprivation, cold, heat, spinning, brain stimulation, and often, near-death), and then employs suggestion and/or classical and operant conditioning (consistent with well-established behavioral modification principles) to implant thoughts, directives, and perceptions in the unconscious mind, often in newly-formed trauma-induced dissociated identities, that force the victim to do, feel, think, or perceive things for the purposes of the programmer. The objective is for the victim to follow directives with no conscious awareness, including execution of acts in clear violation of the victim’s moral principles, spiritual convictions, and volition.
Installation of mind control programming relies on the victim’s capacity to dissociate, which permits the creation of new walled-off personalities to “hold” and “hide” programming. Already dissociative children are prime “candidates” for programming”.
– Ellen P. Lacter, Ph.D., The Relationship Between Mind Control Programming and Ritual Abuse
Gaga’s brain as a non-answering telephone is represented in two separate occasions during the video:
Gaga’s head is the telephone. She is not answering that phone, which is symbolic of her dissociative mind state.
The telephone receiver is made out of hair and covers her left eye, representing Illuminati mind control
So in the context of the video, the telephone is Gaga’s mind and the dance club is representative of her dissociative state, the “magical place” mind-controlled slaves are trained to escape to during traumatic events.
“Hello, hello, baby
You called, I can’t hear a thing.
I have got no service
in the club, you say, say
Wha-Wha-What did you say, huh?
You’re breaking up on me
Sorry, I cannot hear you,
I’m kinda busy.
By “kinda busy”, Gaga means she has dissociated from reality. Real life is calling her brain but she “has no service”, she’s not there. The chorus pretty much epitomizes this concept.
“Stop callin’, stop callin’,
I don’t wanna think anymore!
I left my head and my heart on the dance floor.
Stop callin’, stop callin,
I don’t wanna talk anymore!
I left my head and my heart on the dance floor.”
Gaga is not thinking or talking for herself anymore, her head and her heart have been dissociated from her core personality due to Monarch programming.
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