Here is some great videos and links on the entertainment industry ;this is all from a facebook friend of a friend but I can not stress enough how much control the Powers that be have behind the scenes in the music industry..and if they don’t get their way bad things happen too alot of the ones they say are not following their Negative code…….I for one know that Love cancels out all fear…..The NWO doesn’t like if when we think for ourselves or are a possitive role model as Michael Jackson is in many peoples lifes….Why do you think that people for possitive change have been Murder/killed …….MLK…JOHN LENNON…..and many known and unknown have been killed or murder it’s up too us to stand up and say No more….
Lady Gaga, Beyonce, Rihanna, Mass Media mind control:
Starsuckers is a feature documentary about the celebrity obsessed media, that uncovers the real reasons behind our addiction to fame and blows the lid on the corporations and individuals who profit from it.
Beneath the Surface is the sequel to Full Disclosure, and continues down its path. Can you identify and understand the importance of Hollywood retellings? Often, the question comes up “Ok, so they’re telling the same story, what’s that mean?”. To dumb it dumb and stop presuming that the viewer understood the dynamic that was taking place here. The first 15 minutes or so of Beneath the Surface to finally answering the question. A brief coarse on how these retellings work, how they are written, what they are based on, and why it’s even important to the examine overlap between movies and mythology.
Lady Gaga’s 9-minute video featuring Beyoncé is steeped in weirdness and shock value. Behind the strange aesthetic, however, lies a deeper meaning, another level of interpretation. The video refers to mind control and, more specifically, Monarch Programming, a covert technique profusely used in the entertainment industry. We’ll look at the occult meaning of the video “Telephone”.
Just when I thought I’d written everything I had to write about Lady Gaga, Telephone comes out. An inevitable deluge of e-mails instantly followed, demanding an article about it. So I watched the video and, gosh darnit, the people who wrote those e-mails were right. There are, yet again, a whole bunch of Illuminati/mind control symbols in Lady Gaga’s latest video. I can’t say I was surprised, however, knowing that Jonas Akerlund co-wrote and directed the video. In the article Lady Gaga, the Illuminati puppetPaparazzi and its references to mind-control programming. Telephone acts as a sequel to Paparazzi, where Gaga still plays the role of a mind-controlled drone who kills people. This concept is never openly discussed by the artists when they are asked to explain their videos because it is not meant to be understood for the masses. The hidden meaning of the video actually depicts the elite’s contempt for the general population, hence the scene of ritual murder of average Americans in a diner by mind-controlled slaves. Don’t know what the hell I’m talking about? Keep reading. (which I suggest you read before this one), I dissected the Akerlund-directed video
The Hidden Meaning of the Song
When I first heard Telephone on the radio, I thought the song was about Lady Gaga receiving phone calls from an annoying dude while she’s out in a club. I could already picture a video of Gaga on a dance floor not answering her cellphone. I’ve imagined this video because I was interpreting the song at its face value and going by its literal meaning, like most people do. Akerlund’s video has however infused a second, deeper meaning to the song, giving it an entirely new dimension. In an interview with E! Online, Gaga herself explained this fact:
“There was this really amazing quality in ‘Paparazzi,’ where it kind of had this pure pop music quality but at the same time it was a commentary on fame culture. In its own way, even at certain points working with JonasÅkerlund, the director of both videos really achieved this high art quality in the way that it was shot. I wanted to do the same thing with this video—take a decidedly pop song, which on the surface has a quite shallow meaning, and turn it into something deeper.” – Source
What is never stated, however, is that this “deeper meaning” found in Gaga’s video relates to mind control, a covert practice used by the military, the CIA, religious cults and the Illuminati elite. It is used to program human beings to become mental slaves and to execute specific tasks. In Paparazzi, Gaga plays the role of a mind-controlled slave who was “programmed” to poison and kill her boyfriend. Telephone is a continuation of this story, where Gaga goes to jail for her crime.
In the video, the “telephone” is a metaphor for Gaga’s brain and the fact that she is not answering that phone (her brain) means that she has “dissociated” from reality. Dissociation is the ultimate goal of Monarch mind control. It is induced by traumatizing events, such as electroshock therapy or torture, to force the victim to dissociate from reality. This enables the handlers to create in the victim an alter personality that can be programmed to perform various tasks, such as carrying out an assassination.
“Trauma-based mind control programming can be defined as systematic torture that blocks the victim’s capacity for conscious processing (through pain, terror, drugs, illusion, sensory deprivation, sensory over-stimulation, oxygen deprivation, cold, heat, spinning, brain stimulation, and often, near-death), and then employs suggestion and/or classical and operant conditioning (consistent with well-established behavioral modification principles) to implant thoughts, directives, and perceptions in the unconscious mind, often in newly-formed trauma-induced dissociated identities, that force the victim to do, feel, think, or perceive things for the purposes of the programmer. The objective is for the victim to follow directives with no conscious awareness, including execution of acts in clear violation of the victim’s moral principles, spiritual convictions, and volition.
Installation of mind control programming relies on the victim’s capacity to dissociate, which permits the creation of new walled-off personalities to “hold” and “hide” programming. Already dissociative children are prime “candidates” for programming”.
– Ellen P. Lacter, Ph.D., The Relationship Between Mind Control Programming and Ritual Abuse
Gaga’s brain as a non-answering telephone is represented in two separate occasions during the video:
Gaga’s head is the telephone. She is not answering that phone, which is symbolic of her dissociative mind state.
The telephone receiver is made out of hair and covers her left eye, representing Illuminati mind control
So in the context of the video, the telephone is Gaga’s mind and the dance club is representative of her dissociative state, the “magical place” mind-controlled slaves are trained to escape to during traumatic events.
“Hello, hello, baby
You called, I can’t hear a thing.
I have got no service
in the club, you say, say
Wha-Wha-What did you say, huh?
You’re breaking up on me
Sorry, I cannot hear you,
I’m kinda busy.
By “kinda busy”, Gaga means she has dissociated from reality. Real life is calling her brain but she “has no service”, she’s not there. The chorus pretty much epitomizes this concept.
“Stop callin’, stop callin’,
I don’t wanna think anymore!
I left my head and my heart on the dance floor.
Stop callin’, stop callin,
I don’t wanna talk anymore!
I left my head and my heart on the dance floor.”
Gaga is not thinking or talking for herself anymore, her head and her heart have been dissociated from her core personality due to Monarch programming.
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Video Analysis
The video is a Quentin Tarentino-esque short film which is heavily inspired by Thelma and Louise and peppered with tons of product placements and transvestites. That surely wasn’t the video I was picturing when I first heard that song. From the comments I’ve read, the video left many fans confused about its meaning. This is quite understandable, knowing that most viewers have no idea what the song is really about. When the hidden “mind control” meaning is brought to light, the symbolism of the video becomes evident and the storyline becomes more coherent. I will now attempt to go through the many symbolic scenes of the video and explain their occult meaning. Here’s the video:
The video starts with Gaga entering the “Prison for Bitches”. So, yeah, I know, she addressed that hermaphrodite rumor and many think it was the most hilarious thing ever. I’ve never really cared about those gossipy rumors so I won’t elaborate on them.
In the prison yard, Gaga walks around chained up and wearing sunglasses made of lit cigarettes.
Do the cigarettes covering her eyes represent her blindness to her highly toxic life as a mind controlled drone?
Gaga then sits down and “gets busy” with a weird-looking inmate, but is interrupted by a phone call. She seems to be enjoying a special status in the jail … maybe due to the fact that she is a slave only obeying orders … and that she is needed again.
Gaga is then bailed out by Beyoncé and leaves prison. Inside the car, Gaga and Beyoncé engage into a highly dissociative conversation. It basically sounds like dialogue between two mind-controlled slaves. The phrase “Trust is like a mirror. You can fix it if it’s broke but you can still see the crack in the motherfucker’s reflection” can refer to a cheating boyfriend and can also refer to the permanent damage caused by the fragmenting of one’s personality in mind control.
The dynamic duo then enters an all-American, good ol’-fashioned diner. Beyoncé meets with probably the biggest douche in the universe (played by Tyrese Gibson) and proceeds to poison him. At this point, Gaga comes out of the kitchen with poisoned honey and serves it to the customers.
Gaga stares blankly (the way a dissociated mind-controlled assassin would stare) while Tyrese eats the poison
The mass murder begins … people eat up Gaga’s poisoned honey and die. Does this represent the Illuminati elite poisoning the masses with toxic media?
Lady Gaga turns the a-ok hand in front of her eye (representing the Illuminati’s “All-Seeing Eye”) into a gun pointed towards the viewer … the masses eating all of the poison served to them.
The entire clientele of the all-American diner gets poisoned and dies. You might have noticed the emphasis on “bees” and “honey” during the entire video. Gaga calls Beyoncé “Honey Bee”. She also serves poisoned honey to the diner’s customers. What does this signify? Beyoncé and Gaga’s poisonous honey is actually their music and videos, which are served to the general public through mass media. You can figure out the rest.
While the customers are agonizing and dying, Beyoncé puts on the Mickey Mouse sunglasses, the same glasses worn by Gaga in Paparazzi while killing her boyfriend.
Beyoncé wearing Mickey Mouse sunglasses
Gaga with Mickey Mouse sunglasses in Paparazzi
In both videos, the singers wore the glasses during the killings, hinting to the fact that they are programmed to execute the poisonings. As stated in previous articles, Mickey Mouse ears or designs often occultly refer to mind control , probably because Disney films were known to be used on MK slaves during their programming.
Gaga and Beyoncé then start dancing in “patriotic” outfits surrounded by the lifeless bodies of dead Americans … pretty disturbing. In her interview with E! Online about Telephone, Gaga stated she wanted to take
“the idea that America is full of young people that are inundated with information and technology and turn it into something that was more of a commentary on the kind of country that we are.” – Source
Is that what she meant?
To sum up the situation in the diner, we have Lady Gaga and Beyoncé dancing around dead people and singing about the fact they are dissociative, mind-controlled drones.
“Can call all you want,
but there’s no one home,
and you’re not gonna reach my telephone!”
Gaga and Beyoncé finally flee the crime scene. Gaga is then shown in front of the Pussy Wagon wearing a leopard-print suit, a reference to “sex kitten” programming.
Beta (aka Kitten) Programming
BETA. Referred to as “sexual” programming. This programming eliminates all learned moral convictions and stimulates the primitive sexual instinct, devoid of inhibitions. “Cat” alters may come out at this level. -Ron Patton, Project Monarch
In the final scene, Gaga and Beyoncé prance around wearing dresses by Emilie Pirlot. Beyoncé’s black dress and the veils hint to the ritualistic nature of the murders.
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Illuminati Signs
As stated in previous articles, the hiding of one eye and the “a-ok” sign (which seemingly means 666 in the music industry) are flashed by all Illuminati artists, apparently to show their allegiance. There are a truckload of them in this video.
One Eye Hidden
Gaga dressed in police tape, covering one eye. Knowing the trauma mind control victims must go through, her body is truly a crime scene.
A-Ok Handsign
Electroshock Therapy
Electroshock therapy is the main tool employed by mind control handlers to induce dissociation and fragmentation in the victims. This horrifying practice has been referred to several times in Gaga’s works. Here are two examples.
Manifesto of Little Monsters
In this interlude video of the Monster Ball Tour, Gaga clearly gets electroshocked:
David Lachapelle Photoshoot
Another instance where Gaga gets electroshock therapy.
In Conclusion
Telephone is yet another Lady Gaga product permeated with references to mind control and Illuminati symbolism. Gaga’s “commentary” on today’s youth is certainly not a positive one. The video basically says: America is ready to eat any poisonous crap the elite serves them, and that is accomplished through controlled puppets. I will now pre-address comments I’m bound to receive:
“How is Lady Gaga mind controlling me? I’m not feeling controlled to do anything”
I am not saying that Gaga is controlling your mind. I’m saying her video is ABOUT mind control. This disturbing theme keeps reoccurring in pop music. What you should ask yourself is this: does mass media shape and mold our society’s values and beliefs? Billions of dollars invested yearly in marketing say yes.
“Your articles are a form of mind control.” Someone voicing an opinion on a website is not a form of mind control. Quite to the contrary, it is a freedom guaranteed by the first amendment. To compare this article to the ritual abuse mind control victims have to go through is a total aberration. If you were forced to read out loud this article numerous times while being deprived of food and sleep, then maybe it could qualify as mind control.
“She is doing it on purpose to piss you off”
I heard this comment when Bad Romance came out and after her Grammy performance, where her hype man alluded to her “mind-controlling music”. As much as I would like to believe that I’ve got that much influence on today’s biggest star, I highly doubt that Gaga, her staff, her video directors and her record label with its millions of dollars would concentrate all of their creative efforts to piss off one blogger. The truth is: She was doing this before this site was even online and she keeps doing it now. Her works, like the works of many other pop stars, are part of a greater agenda. It used to focus on exposing the youth to materialism and sexual promiscuity, but it has now expanded to occult symbolism, mind control and transhumanism.
In his exclusive interview Michael Jackson talks about his new life in Las Vegas and about his comeback. The long awaited return of king of Pop status to Michael Jackson has begun. It was planned by a mysterious British magnat in the entertainment business who was behind the phenomenal success of Simon Cowell in ‘American Idol’ and David Beckhams $ 250 mega deal what eventually led his success in the USA. I can only reveal that manager-producer Simon Fuller help a planned secret meeting in Las Vegas with MJ and the ЭМИ prize-winner producer-choreographer, Kenny Ortega, who along with MJ created his two previous enormous tours. By the way, on Sunday Kenny received his first The Directors Guild of America award for is great achievements in ‘High School Musical’ shot for Disney. They called me to joined them at the dinner in a private room of the Chinese Steve Wynn’s Wing Lei restaurant in the Wynn hotel and casino under the vigilant supervision of two bodyguards. It was Michaels fourth visit to prize-winner (Epicurean Award) restaurant since he moved to Las Vegas, after his 18 month long voluntary exile from the USA to Dubai and then Michael Flatley castle in Ireland. Ironically, Michael who normally shuns cameras, was undetected just 100 feet away from the 200-strong media mob reporting on Paula Abdul’s ‘Woman of the Year’ award and star-studded attendees. A bit later when I told Simon Cowell, who was also in Vegas for Paula’s award, that his partner was just around the corner, he laughed and said, “Doing another one of his world-shaking mega-deals, I suppose.” As manager to international soccer-star David Beckham, Fuller, the extraordinary deal-maker, won him a five year $250-million contract — the largest sports pay-package in history – to move with his ‘Posh Spice’ wife, Victoria Beckham, to Beverly Hills and play for the L.A. Galaxy Major League Soccer team. Incidentally that was Beckham, with Martha Stewart and LL Cool J, in one of the high-priced $2.5 million Superbowl ads on Sunday — another coup for Simon Fuller launching Beckham’s bid for American stardom. Michael, who was looking well, relaxed and very happy told me, “I’m doing fine and am well and really enjoying myself in Vegas. It’s a great place to call home.” His handshake and voice were strong and firm. On Michael’s pending Vegas show and return to pop royalty, Kenny added, “We’re talking business and looking at lots of different possibilities. This is a blue-sky time with a lot of different scenarios up in the air. We’re working through all of them to find the best – the one that makes the most sense that’s good for everybody.” I was reliably told that if anybody could transform Michael into a box-office megastar all over again, it would be entertainment mogul Simon Fuller, “This is the perfect match: the world’s biggest pop-star being looked after by the most successful mogul-manager in the world.” Fuller is often confused with Simon Cowell — particularly as they are close friends and so intertwined with ‘American Idol’s’ non-stop soaring success including #1 ratings in 21 different countries. Fuller though, is the brains behind its $1-billion haul from advertising, merchandise and music. He is said to have earned $60-million personally in 2003 alone and that’s a figure that grows annually. In addition, he promotes and manages such ‘American Idol’ stars as Kelly Clarkson, Ruben Studdard and Clay Aiken in addition to being the longtime manager of Annie Lennox and the now solo careers of Emma ‘Baby Spice’ Bunton and Mrs. Beckham. There’s an incredibly unique tie-in with another Vegas connection for Michael. Fuller (seen here with Kenny and Michael) divides his time between London, Los Angeles, and the French Riviera, and is also said to have numerous growing investments in Lake Las Vegas real estate ventures with Cowell. But it’s the megadeal he struck with American billionaire, Robert F X Sillerman, that’s worth noting in all of this. Fuller’s 19 Entertainment was purchased a year ago by Sillerman for a whopping $190 million and Fuller wound up a director of Sillerman’s CKx and still running the 19 group. CKx is partnered with Cirque du Soleil in an upcoming Elvis Presley-themed show, planned for MGM’s City Center. Sillerman, who owns licensing and merchandising rights to numerous celebrities and their estates, exploits the Presley estate with authority by both Priscilla Presley and Lisa Marie Presley who were in Vegas this weekend celebrating the King of Rock’s daughter’s 39th birthday! Gossip historians know that at one time, Michael and Lisa Marie were a tabloid headline romance item during their marriage! As an added Vegas twist, Sillerman bought a 20percent stake in the Broadway version of Mel Brook’s ‘The Producers’ which is opening a Vegas version of the musical with David Hasselhoff. It’s easy to see that all of Michael’s current financial asset entanglements could be unraveled and made whole by the Sillerman-Fuller brain-trust as super Svengalis – and then relaunch his career bigger and better than ever before. First stop though for Michael, who will celebrate his 49th birthday on August 29 this year — the same birth date as mine coincidentally — is Japan. He’ll fly from Vegas next month for two fan-appreciation events on March 8 and 9. Says Michael, “Japan is one of my favorite places in the world and I am very grateful to my fans there who have always been my strongest supporters and have helped me achieve several historic milestones in my life.” Some 300 VIPs, paying over $3300 each, will hold a meet and greet handshake photo-session with Michael on day one with general fans massing for a get-together on day two. Michael, who last performed a concert in Madison Square Garden back in 2001, is not expected to perform while in Japan, although he has created charity fund-raising records and TV specials with large groups of other pop stars in the interim. Although he’s had more than 12 #1 chart hits, the last was in 1995 and he hasn’t toured since the mid- 1990s. He remembered that the last time he and I had met was over breakfast as guests of Donald Trump at his Atlantic City Trump Plaza hotel. But this visit together was not the time or the place to discuss his self-imposed 18-month exile after the Santa Barbara acquittal of child molestation charges in 2005. Michael lived for a while in the oil-rich nation of Bahrain before moving onto Ireland as a longtime guest in the sprawling castle of ‘Lord of the Dance’ creator Michael Flatley. Michael returned to the States six weeks ago on Christmas Eve, as Luxe Life reported here back on December 24. He moved into a home on the west side of Vegas near Sahara and within easy reach of the Strip. In addition to a long dinner with Steve Wynn, which resulted in speculation about a possible Jackson show there, Michael’s also met several times with Vegas deal-maker Jack Wishna who said:, “Michael is poised to return to the top of the entertainment world soon. He is one of the greatest all-time entertainers in the world.” Wishna is the businessman who engineered Trump’s Vegas debut with the $2.8 billion Trump International Hotel Tower, which is nearing completion on the Strip near the New Frontier hotel across from Steve Wynn’s resort hotel casino. MAGIC MAN Michael was happy to discuss how he’s been spending some of his first month in Vegas. He told me he enjoyed taking his children to see Lance Burton’s magic show at the Monte Carlo. “I really love magic,” he said. “I really liked his show. It’s amazing and very enjoyable. I love getting caught up in the magic.” Protected by his own security and Monte Carlo security, Michael went in through a back security entrance rather than cause a scene with fans and sat in the lower mezzanine unnoticed in front of the sound booth – and just as the show was ending, he took off so the audience wouldn’t be distracted from Lance’s curtain calls. Michael has only given one quick telephone interview since returning to Vegas although he did speak at the Atlanta funeral of the late soul singer James Brown. He confirmed officially to me a funny interview story about the Associated Press reporter covering the ‘King of Pop’s’ return to the United States to live. The rules were that the reporter could not disclose his Vegas residency and was allowed only one question. When the AP reporter asked how Michael was and he answered that he was fine, that was considered the one question!! So for me, it was an honor to be invited into the inner sanctum. I found Michael relaxed and confident — happy that the troubled past was getting put all behind him and happy that he’s begun rebuilding his career again. “It’s a whole new Michael here in Vegas,” I was told. ” He feels comfortable here. He loves being able to go out and basically not get hassled. He likes the restaurants here for the food but his favorites are the shows. I think he’ll get to see every one of them over the next few months. It’s the first time in a long time Michael is feeling less pressured and much at ease. He is ready to go to work again and is in a great space and a wonderful sense of mind.” To celebrate, this weekend Michael was out and about again — enjoying The Beatles LOVE musical at the Mirage. After the late show, he visited the LOVE boutique to pick out some Beatles show souvenirs – and surprisingly even happily posed with fans for photos with his ever-watchful security agreeing to relax the normal rules for his safety. Then he went backstage to meet the cast and crew of the show congratulating them on their performances and thanking them for the spectacular show. “They were in awe of him and he the same about all of them. He was very respectful and told them it was an incredible experience that he’d remember forever. I think he’s going to bring his children into see it next,” one of the company staffers told me. For now though, the only public outing of his three children has been a visit to the Circus Circus where they were spotted on a visit to the hotel’s attractions here on the Strip. Prince Michael I, Paris and Prince Michael II, also known by nickname Blanket, didn’t even bother with disguises when they went on the amusement rides there — naturally under the watchful eye of their nanny and Michael’s team of bodyguards along with the Circus Circus security staffers. KEEP THE BOOGIE ALRIGHT Michael’s friendship and professional relationship with director and choreographer Kenny Ortega dates back many years, and once again they are teaming up. “Be it a concert tour or a show staged from Vegas they’ll tackle it together,” said a friend. “They have complete trust in one another so it will be their project going forward.” The Emmy-winning 30-year career choreographer was responsible for the hit ‘Dirty Dancing,’ ‘Ferris Bueller’s Day Off’ and ‘St. Elmo’s Fire’ movies. He also staged over his 20-year tour career world concerts for Michael, Barbra Streisand, Cher, The Pointer Sisters, KISS and Diana Ross. His choreography on Madonna’s ‘Material Girl’ movie also won him awards. Currently Kenny, who created the live Sirens outdoor show spectacle at the Treasure Island, is in the early stages of a secret project being created for Steve Wynn’s resort here and Luxe Life is sworn to secrecy! He will helm the follow-up sequel to ‘High School Musical’ being filmed in Utah this Spring. In http://olgeya-humayer.livejournal.com/2691.html I was refer to the one article. Unfortunately it is removed from the expanses of the Internet, so I will post it here. After reading this article a lot of things has emerged in the one image. MICHAEL’S COMEBACK SPECIAL With the triple-threat team in place for Michael’s return, he’s already started work on a new album. Some of the tracks have already been recorded at Flatley’s Irish castle with the help of will.i.am of the Black Eyed Peas. Don’t be surprised if Michael and will are spotted when BEP plays the Orleans Arena during NBA All-Star weekend to work out the best way to finish the tracks they’ve selected to go with. Says will, “I’m a real fan of his. You get to work with just a couple of great people during your life who shed light on the Earth and Michael is one of them.” Michael, Simon and Kenny happily posed for our Luxe Life photos. I told them all that everybody was eagerly awaiting Michael’s return to the limelight and that Vegas was delighted he now called our city his new home. ” Its all going to be good, very good” said Michael, and Kenny added: “We’re going to get it done and when it is you’ll know it’ll be the right way working out for the best for everybody involved.” http://www.vegaspopular.com/2007/02/05/in-a-world-exclusive-interview-michael-jackson-talks-about-his/
Rofl, the black girl has her hand to her mouth like ,her face says it all!!
“Let me bathe in my own time when I come back in. I’m gonna button my shirt or my jacket or whatever it is. I’m gonna look around a little bit, play with them. Snap my fingers maybe, then BAM!”