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From Mind Control to Superstardom: The Meaning of Lady Gaga’s “Marry the Night”

Posted by angelbabe43 on December 19, 2011

The music videoMarry the Night” tells the story of Lady Gaga’s rise to fame in the entertainment industry. Oddly enough, her “journey” begins with her describing the symptoms of a trauma-based mind control victim. Is there a deeper meaning to this video? We’ll look at the symbolism of “Marry the Night” and its underlying occult meaning.

Lady Gaga generated a great buzz among her fans when she announced that the video to Marry the Night would reveal a part of her past. Did her fans expect the video to begin with a traumatized Gaga inside a psychiatric ward with a bunch of lobotomized girls? Probably not. But from that strange starting point, the video proceeds to depict Gaga’s rise to super-stardom. How does all of that tie in together? To most, this doesn’t really make any sense. However, to those who understand the relation between trauma-based mind control and the entertainment industry, it makes perfect sense. While many of her previous videos referred to mind control in subtle and symbolic ways (see previous articles on Vigilant Citizen), Marry the Night takes it a step further, pretty much spelling it out. At the very start of the video, Gaga’s monologue defines in unequivocal terms the plight of a mind control victim. Despite her hardships, she says, she is determined to make it in the music business and is ready to do whatever it takes to reach her goal. She therefore “marries the night”, an expression that has a profound meaning.

The video is Lady Gaga’s directorial debut and, according MTV.com it is basically a “big thank you” to Interscope Records – the record label that signed her. This is definitely true but the video also says thanks to those behind her record label: the “Night” that she married. Let’s look at the video’s most important scenes.

In the Psychiatric Ward

The intro of the video shows Gaga as the patient of some kind of psychiatric ward. While laying on a stretcher that is pushed by two nurses, Gaga describes the way she perceives reality. Affected by a violent trauma, Gaga escapes into her own world to be able to go on. The mental dissociation that is described by Gaga is in direct accordance with the purpose of trauma-based mind control, the basis of Monarch Programming (see the article Origins and Techniques of Monarch Mind Control for more information). Monarch programming uses various methods, including violence, drugs and abuse to induce violent trauma and cause the victim to dissociate – a natural defense mechanism of the brain. The fracture of the personality that results from the process is then exploited by the mind-control handlers to program within the subject’s mind new “alter” personalities. This is also described in Marry the Night, as Gaga creates a new persona to obtain superstardom.

The process also causes the victims to have huge memory gaps when recollecting the past. In during the intro of the video, Gaga describes how a victim of Monarch programming would perceive reality:

“When I look back on my life, it’s not that I don’t want to see things exactly as they happen, it’s just that I prefer to remember them in an artistic way. And truthfully, the lie of it all is much more honest, because I invented it. Clinical psychology arguably tells us that trauma is the ultimate killer. Memories are not recycled like atoms and particles in quantum physics. They can be lost forever. It sort of like my past is an unfinished painting and, as the artist of that painting, I must fill in all the ugly holes and make it beautiful again. Its not that I’ve been dishonest, it’s just that I loathe reality.”

Gaga basically says that she went through trauma that was so horrific that it caused her to dissociate from reality. Since she cannot cope with the true nature of her existence, her psyche has “filled in all the ugly holes” and created an inner-world where she can escape and survive mentally. This is exactly what happens with MK slaves, who, while dissociated into their fantasy world, get programmed by their handlers. Gaga then proceeds to describe how her dissociated mind perceives her surroundings.

The nurses wear their caps in a “stylish” way because we are seeing Gaga’s dissociated perception of reality

In Gaga’s reality, the nurses are wearing “next season Calvin Klein” and she is wearing Giuseppe Zanotti shoes. Also, the nurses’ caps are tilted to the side like Parisian berets because she thinks “it’s romantic”. So what we are seeing is not reality, but Gaga’s perception of reality that has been distorted by trauma. Since she loves fashion, the fashion world is integrated in her mental escape to make reality bearable. The premise of this scene is very similar to the movie Sucker Punch (analyzed in the article entitled “Sucker Punch” or How to Make Monarch Mind Control Sexy), where a young patient of a psychiatric hospital dissociates from reality before getting a lobotomy.

Lobotomies also appear to be happening in Gaga’s ward. As she arrives in her room, we notice that it is filled with brain-dead girls with bandages around their heads. This hints that Gaga’s “institution” deals with mind control-related stuff.

On her bed, Gaga speaks with a nurse – who also happened to have delivered her when she was born. This is rather odd (for many reasons) but confirms that Gaga’s existence has been under tight control since her youth. Is this bit part “autobiographical” or fiction? Hard to say. But the following sequence is most probably fiction:

Gaga show her spineless back. What kind of crazy operation did she undergo?

Apparently, her spine was surgically removed. What does it represent? Her condition is most probably metaphorical as no one would actually survive (let alone be able to dance like hell) without a spine. “They” obviously took something extremely important from her. A “spineless” person is usually described as someone that is ” weak in willpower, courage or vitality” – which describes the plight of someone who just went through intense trauma. She nevertheless tells the nurse that “she’ll make it” and that “she’ll be a star” because she has “nothing left to lose”. In other words, the trauma she suffered left her lost and empty but that hole can be filled by her two obsessions: fame and success.

The Metamorphosis

After the depressing hospital scene, Gaga is in her apartment when she gets a phone call from her manager announcing that she’s been dropped by her label. She replies “But I’m an artist!”, as if artistic integrity is the top priority of record labels. She then loses it and goes into a topless frenzy involving Cheerios and smudged makeup. The messy scene is juxtaposed with images of Gaga gracefully dancing ballet – as a “true artist”. The two scenes are diametrically opposed yet have noticeable similarities. The ballet scene ends with Gaga topless and crying, indicating that both scenes happen at the same time: One in real life and one in her head.

Gaga topless and crying, like in the apartment scene. This represents how Gaga perceives herself, yet she is rejected by her label.

In the next scene, Gaga is in the the tub, accomplishing a significant task: Dying her hair blonde. Her new alter-persona is being created, the one that will become a pop star.

The transformation from Stefani Germanotta to the alter Lady Gaga symbolized by the dying of her hair blonde. She is beginning to do what is needed to make it in the entertainment industry – A shallow alter-ego that will do what is required by record labels. While she’s doing this, she’s humming “Marry the Night”, something she is actually beginning to accomplish here.

Once the transformation is complete, Gaga says goodbye to her ballet company (were they the ones that were lobotomized earlier?). The “true artist” is gone and the superficial diva is born. The camera stays on the art of the room for several seconds, probably due to its symbolic meaning. (the scene was shot at Snug Harbor Cultural Center in NY).

As the camera pans, we see several interesting things. At the top of this shot is Poseidon, the king of Atlantis with his trademark pitchfork. Although he was probably painted there because the shooting location is a harbor (a nautical place), the god takes another meaning in the context of the video: Poseidon is an important figure in the occult elite’s mythology as he is the king of Atlantis, the place where the Mysteries have originated from. Under Poseidon is a lighted star similar to the Blazing star found in Masonic lodges. Underneath the star is written “The Cross is My Anchor” – a Christian saying – but in reverse. I am pretty that the phrase is not actually written in reverse in Snug Harbor. Why was the image flipped? Does this represent Gaga’s spiritual shift as she “Marries the Night”?

The camera then pans to the room’s oculus (a circular window at the apex of  a dome) with a sun as the pupil of the “eye”. The oculus transitions into a full moon. As the scene turns from day to night, Stefani disappears and Lady Gaga emerges.

Marrying the Night

Most music sites say that Marry the Night is about going out, partying and having fun in New York city. But, as it is often the case with Gaga’s works, the symbolism and the imagery of the video hints at a deeper, more ritualistic meaning. As we have seen above, Gaga is passionately fueled by her drive for success and she appears to realize that the key to make it in the industry is: Initiation. Or, in more sinister terms, selling one’s soul.

In the context of the video, the expression “marry the night takes an almost metaphysical connotation. Marriage is a religious ritual, a binding association between two people. What does it mean when one marries the night? It can mean associating with people who deal in the dark: the occult elite (those we call the Illuminati). It can also signify embracing one’s own flaws and “dark side”. In all cases, there is a definite sense of “rebirth” in the process. And, that’s what we see: A blond Lady Gaga (the alter of Stefani Germanotta) emerges from a Trans-Am dressed in black.

Gaga then goes to “Pop Star Training”. No more ballet, it’s all about doing cool, hip, music video choreography now.

“Yeah, that’s how you need to dance if you want to be on MTV. Go back there and keep doing it”.

Once her training is complete, Gaga is ready for the “big time”. She becomes a glamorous diva and dances what is almost a parody of MTV music videos.

With her cool shades and fashionable backup dancers, Gaga now has what it takes to be a product of the music industry.

We are then treated to a video montage of Gaga living the highs and lows of stardom, complete with gigantic hats, bathroom stall door slamming action and emotionally instability. However, all of this crap pays off: Gaga gets signed to record label.

When you “Marry the Night” (or sell your soul), the doors of the music business magically open. Gaga gets an appointment with Interscope Records.

The video ends with an odd and ominous scene:

In this fiery scene Gaga is dressed in red – the color symbolic of sacrifice and initiation. She is wearing a Paco Rabane hat that is fashionable and symbolic: it completely hides her head. It is owned by the Night now.

Gaga’s live performance on X Factor also exploited the theme of headless-ness in a rather graphic way.

The setting of Gaga’s performance on X Factor emphasizes on the underlying occult meaning of the song. The full moon, the torches and the religious imagery play on the spiritual significance of “marrying the night”. Gaga began the song with her head literally chopped off, a perfect way to describe what figuratively happens to industry pawns.

In Conclusion

Although many describe Marry the Night as a “new direction” for Lady Gaga, the video still exploits her favorite theme: The price of fame. The intro of the video is basically a introductory course in trauma-based mind control, where she describes how dissociating allows her to cope with reality. As the artistic brunette turns into a blonde diva, the Lady Gaga alter-ego is created, one that will do what is required to make it in the music business. The most important requirement is “marrying the night”, which is a poetic way of saying “selling one’s soul” and associating with the dark side. Gaga had to deny everything she previously was to become a brand new person. Therefore, beneath the fashion and the dancing, the video hides an underlying ritualistic theme, as the death of a ballet dancer gives birth to an MTV pop star. From the broken girl who had nothing to lose to international superstar, it took a marriage with the dark side to turn things around. But at what cost? The final scene of the video, complete with hellish fire and a sacrificial red dress tells volumes.

In the grand scheme of things, despite her apparent originality, Gaga brings to the youth a message that is very similar to other pop stars: “Mind control is cool, everyone is doing it” and “Submit to the dark side and you’ll get what you want”. But when things get scary and the night becomes an abusive husband, asking for divorce won’t be an option. Ask Princess Diana.

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Lady Gaga Channels Alexander McQueen and Mind Control

Posted by angelbabe43 on April 25, 2011

I’m guessing that most of you have already read on this site the many references of Lady Gaga to Monarch Programming. A picture from the latest issue Haper’s Bazaar Magazine, taken by Terry Richardson, contains yet another reference to it. For a complete description of Monarch programming, please read the article Origins and Techniques of Monarch Mind Control on Vigilant Citizen’s sister site Secret Arcana.

Monarch Programming suit

The “butterfly suit” is by Alexander McQueen, a fashion designer who’ve died tragically (and rather mysteriously) last year. His work could be the subject of an entire article as it was laced with occult and mind control themes. He was described by Pseudo-Occult Media as “the elite’s fashion designer”. Here are some examples of his symbolic works:

Monarch butterflies crowding the head

One-Eye Monarch Butterfly

Occult ritual-themed fashion show

McQueen as the “white rabbit”, an important theme in Monarch mind control referring to Alice in Wonderland.

Mind Control-themed shoot for McQueen by Nick Knight, director of Gaga’s Born This Way (do you see the connections?). One eye missing, blank stare, brain has been meddled with.

Spring 2011 Ad campaign. The Monarch theme continues

About Lady Gaga’s “horns” and McQueen:

“First of all, they’re not prosthetics,” she said. “They’re my bones … They’ve always been inside of me, but I have been waiting for the right time to reveal to the universe who I truly am.” The singer said the ridges rise up when inspiration strikes – and that she’s not alone. “We all have these bones! They’re the light from inside of us.”

Interrogated more firmly, Gaga did admit the facial horns are part of a “performance-art piece”, with “body modification” being “part of the overarching analysis of Born This Way”. But she denied the use of any plastic surgery, and made no mention of subdermal implants. “I am an artist, and I have the ability and the free will to choose the way the world will envision me,” she said.

Gaga also claims that the late fashion designer Alexander McQueen is the composer of her latest single, released on 11 February. “Right after he died, I wrote Born This Way.” She was particularly struck when the release date for the song turned out to be the anniversary of McQueen’s death. “When I heard that, I knew: I didn’t even write the fucking song! He did!”

“I think he planned the whole thing,” she continued. “He’s up in heaven with fashion strings in his hands, marionetting away.

http://secretarcana.com/hiddenknowledge/monarch-programming-mind-control/

Posted in Illuminati, ILLUMINATI SYMBOLISM, Mass Mind Control, mkultra, monarch butterfly | Tagged: , , , , , , , | 1 Comment »

Overt Illuminati Satanic Symbols Pour Out of the American Music Industry, Secular Society Turns a Blind Eye

Posted by angelbabe43 on April 6, 2011

Posted on 01/03/2011 by CK Hunter

Jack Black in November 2007

Image via Wikipedia

Copyright 01.02.2011 Reposted courtesy of Artopia444.wordpress.com

I am currently examining satanic and totalitarian imagery in the American music industry. There is nothing hidden or even secretive about the satanic imagery in most pop music videos, especially videos made by Lady Gaga and Beyonce. I am also pretty suspicious of Taylor Swift‘s odd hand signs and some of her garments and poses, but this post will focus on Jack Black, Beyonce and Lady Gaga.

Here’s an example of what I am saying. Nothing is hidden or veiled any longer about the goals and motives of the music industry in America. Jack Black’s actions at the 2009 MTV Music Awards set a new “low bar” for public behavior, and I am stunned I have not seen more media articles about this.

Veiled as comedy, during the 2009 MTV Music Awards,Jack Black took the stage, raised his arms, flashed the Illuminati Satan sign with both hands, and then shouted out and invited the entire audience to ” pray to the devil” with him. I did NOT find this very funny.

In fact, I found it to be quite disturbing. Indoctrination and dark occult initiation can be hidden by the apparent mindlessness of contemporary entertainment, even in apparent comedy.

In fact, as I study various popular TV sitcoms, I often see re-occurring instances of entertainment and comedy being used as a way to introduce hypnotic occult suggestions, initiation rites, fascist or totalitarian thought forms, and all sorst of other dark and ungodly imagery that is, in fact, on some level, socially engineering  an unsuspecting viewer to think that these kinds of displays are innocent and benign, when they are not.

There is nothing innocent or socially benign about the slow and methodical process of “normalizing” these public displays of satanic hand signs, symbols, occult phrases and images peppered into the mix of pop culture’s music industry. There fact that there is a more or less total absence of public outcry about any of this tells me where we now are in the degradation of American Christian culture and values. We are now headed headlong down the final free-fall into all-out public presentations which are not simply veiled and hidden, they will be open and overt displays of satanic worship, disguised as concerts. Perhaps this is already happening and I just haven’t seen it yet. What I have seen is enough to horrify my soul.

I don’t expect anyone else to believe this, but the following videos which have been noted and posted by other truth researchers suggest that I am not alone in thinking that something is very very wrong, and very very evil deep inside the American Hollywood music and entertainment industry. Here are some of the videos that I studied this evening:

To learn more about the hidden illuminati control and influence in the modern music industry read this article I just wrote 2 weeks ago and updated tonight. When you see images of butterflies in videos, especially of Monarch butterflies, you are seeing Illuminati mind control programmed people acting on their “Monarch” programming. The image below is an example:

In this next image Beyonce is wearing a breastplate emblazoned with a goat’s head image that is practically identical to images of Baphomet, the ancient Goat-head image of Satan:

There are literally countless images of music artists like Beyonce flashing the Illuminati Satanic hand sign, I found this one particularly disgusting because of the way she’s dressed. I perceive Beyonce to be a Satanic priestess, only thinly disguised as a [fake] Christian. When she talks about how involved she has been with the church I get a somewhat nauseous feeling. Beyonce’s music video imagery is literally drenched in satanic symbolism. It’s not hidden at all. It’s right out there, front and center. Here are a few more things I have noted. They are mostly self-explanatory, if you are familiar with occult and Illuminati symbolism.

One of the creepiest things I have had to listen to do write this post is the reversed sound track to Beyonce’s “Single Ladies” music video. I would swear that the music in reverse sounds like some sort of demonic incantations or a demonic language.  I did not like the way this made me feel. Take a listen and see what you can decipher from this – [warning graphic]:

Satanic imagery in Lady Gaga music videos:

Tags: illuminati satanic imagery, american music industry, fascism images, totalitarianism, police state, Hollywood, occult symbols in music film video, occult initiation hidden in pop culture

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Posted in BRAINWASHED, hollywood symbolism in Movies, Illuminati, Illuminati sybolism in Music videos, ILLUMINATI SYMBOLISM, Mind Control, satanic | Tagged: , , , , , , , | 2 Comments »

Jack Black: “Who Wants to Pray to the Devil With Me?” 2009 MTV Music Awards (via Artopia 444 American Pop Culture Mashup)

Posted by angelbabe43 on March 25, 2011

Something is so wrong in this society It scares me and pisses me off I would never sell my sold for the price of fame why and for what reason…..So you get fame,MONEY,ECTect,ect,ect nothing would be worth my soul at any price I wouldn’t want to be famous…It’s more like ok I wanna be famous so now I’m a satanist and I’m gonna promote all this to everyones children no matter what all for $$$,fame no thanks.

Jack Black: "Who Wants to Pray to the Devil With Me?" 2009 MTV Music Awards Copyright 01.02.2011 Reposted courtesy ofArtopia444.wordpress.com I am currently examining satanic and totalitarian imagery in the American music industry. There is nothing hidden or even secretive about the satanic imagery in most pop music videos, especially videos made by Lady Gaga and Beyonce. I am also pretty suspicious of Taylor Swift‘s odd hand signs and some of her garments and poses, but this post will focus on Jack Black, Beyonce and LaRead More

via Artopia 444 American Pop Culture Mashup

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Prodigy Says Jay-Z Sides With The ‘Evil Illuminati’ (via Aftermath News)

Posted by angelbabe43 on March 22, 2011

Prodigy Says Jay-Z Sides With The 'Evil Illuminati' Prodigy (photo: KNOWxONE) Baller Status | Nov 6, 2008 by Miles Bennett Like he does in his monthly blog on Vibe.com, the incarcerated Prodigy recently spewed more of his conspiracy theories via a handwritten letter to URB. This time, he reveals the moment his eyes were opened to the sham he calls “the government, religions, politics, the Federal Reserve, and I.R.S.” According to P, in 1996, after reading a book by Dr. Malichi Z. York titled Levia … Read More

via Aftermath News

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